Correspondence is an effective way to make requests and deliver specific information. Correspondence can be of several types: a cover letter of job applications, a memo, and an electronic mail message, etc. Correspondence has some advantages: legality in formal case, efficiency to inform the same message to many people, revising the message until it is correct, and the advantage that it can be reread.
To write a good correspondence, you should also consider two writing constraints, audience and mechanics. When you consider the audience, you have to identify your audience and estimate what the audience knows about the subject. Then, you should answer yourself why the audience begins reading your correspondence and continues reading it. Finally, you have to also understand the situation that the audience reads correspondence. After considering audience, you could know that your correspondence should be no longer than one page and you should write the main points as quickly as possible. Besides audience, mechanics are another important constraint. If you make errors in your correspondence, each error costs you a notch of credibility with the reader.
In the style of correspondence, there are also special considerations: organization, emphasis, clarity, and forthrightness. Having a beginning, middle, and ending is similar to the organization of reports and articles. To make the audience keep reading the correspondence, you should get to the point in the first paragraph or the first sentence if possible. The middle in the correspondence delivers the information as in reports and articles. Ending can go in several directions: presenting a summary and calling for action. You should choose appropriate ending for your correspondence’s goal.
To emphasize details, placing those details in either the first or last sentence is one way to accent them in a letter or memo. In addition to emphasis, clarity is important in correspondence because audiences read it faster than other types of documents. For this reason, you should opt for shorter sentences and paragraphs than you would in a report. Usually, control of tone in correspondence is difficult, but you should be forthright in correspondence by using simple and straightforward words.
To write a good correspondence, you should also consider two writing constraints, audience and mechanics. When you consider the audience, you have to identify your audience and estimate what the audience knows about the subject. Then, you should answer yourself why the audience begins reading your correspondence and continues reading it. Finally, you have to also understand the situation that the audience reads correspondence. After considering audience, you could know that your correspondence should be no longer than one page and you should write the main points as quickly as possible. Besides audience, mechanics are another important constraint. If you make errors in your correspondence, each error costs you a notch of credibility with the reader.
In the style of correspondence, there are also special considerations: organization, emphasis, clarity, and forthrightness. Having a beginning, middle, and ending is similar to the organization of reports and articles. To make the audience keep reading the correspondence, you should get to the point in the first paragraph or the first sentence if possible. The middle in the correspondence delivers the information as in reports and articles. Ending can go in several directions: presenting a summary and calling for action. You should choose appropriate ending for your correspondence’s goal.
To emphasize details, placing those details in either the first or last sentence is one way to accent them in a letter or memo. In addition to emphasis, clarity is important in correspondence because audiences read it faster than other types of documents. For this reason, you should opt for shorter sentences and paragraphs than you would in a report. Usually, control of tone in correspondence is difficult, but you should be forthright in correspondence by using simple and straightforward words.
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